Research Online at MacEwan :: Browsing Faculty of Fine Arts & Communications by Issue Date

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(1980) Mallon, Darci

This installation was comprised of four portraits painted with acrylic on resin and white lighting forms. The forms (masks) were mounted on steel. The work reflected an interest in understanding the construction of identity and the contributing factors from personal relationships.

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Giotto's remorse

(1982) Mallon, Darci

The mask worn by the female referenced a Japanese Noh theatre mask entitled, "The Blind Weakling." Although the artist was not the female in the painting, the image was essentially a self-portrait. Acrylic on four canvas covered panels, 11 feet x 7 feet. Collection of the Alberta Foundation for the Arts.

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Inter nos, inter se

(1985) Mallon, Darci

This installation was comprised of five oil-painted panels mounted on tables. Each table had an audio loop recording of the individual’s monologue. The removable masks, made of chrome-plated plexiglass, had eye holes through which the viewer could study the ‘other’. The work reflected on the complexity of communication within our ‘inner mind’, as well as, between us and ‘outsiders’.

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Letter of introduction

(1986) Mallon, Darci

Linocut print on BFK paper, 4 feet x 3 feet.

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The apology

(1986) Mallon, Darci

Linocut on Arches paper, 3 feet x 4 feet.

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Gentle caress

(1987) Mallon, Darci

Lino cut print on Arches, 4 feet x 3 feet.

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K. A. ; K. A. detail

(1988) Mallon, Darci; Mallon, Mel

Suspects: this series of large portraits was informed by an acknowledgement that through the historical practice of artists depicting the affluent, they have influenced society in determining how beauty is defined. Head by Mel Mallon. Collection of the Alberta Foundation for the Arts.

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E. P. ; E. P. detail

(1988) Mallon, Darci

Suspects: this series of large portraits was informed by an acknowledgement that through the historical practice of artists depicting the affluent, they have influenced society in determining how beauty is defined. E. P. collection of the Alberta Foundation for the Arts. E. P. detail collection of the University of Alberta.

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J. G.

(1988) Mallon, Darci

Suspects: this series of large portraits was informed by an acknowledgement that through the historical practice of artists depicting the affluent, they have influenced society in determining how beauty is defined. Collection of the Alberta Foundation for the Arts.

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Beguiling martyr

(1988) Mallon, Darci

Lithograph on BFK paper, 5 feet x 3 feet.

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A. M. ; A. T.

(1988) Mallon, Darci

Suspects: this series of large portraits was informed by an acknowledgement that through the historical practice of artists depicting the affluent, they have influenced society in determining how beauty is defined. A. M. collection of MacEwan University. A. T. collection of the University of Alberta.