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: Treating and tracking infection: doctors, disease, and the type-writer girl in Bram Stoker’s Dracula
: Rhem, Kit, Martin, Daniel
: 2020

: Progressive feminism through James Bond
: Mosley, Eric, Perschon, Mike
: 2015

: The politics of gender in Azeri-Russophone literature
: Seyidova, Leyla
: 2020

: Shumka’s Cinderella
: Gordey, Gordon, Shevchenko, Yuri, Levitska, Maria, Lytvynov, Viktor
: 2013

: Eve of Kupalo - a midsummer’s night mystery masque
: Gordey, Gordon, Ganert, Dave, Shoost, Andrij
: 2011

: Immense suffering and the journey of a refugee: analyzing Candide
: Hindocha, Rajoo, Sayed, Asma
: 2017

: Masculine righteousness in Frank Miller’s Batman: The Dark Knight Returns and Quentin Tarantino’s Inglourious Basterds
: Massa, Cossette
: 2018

: Cutting into the abyss: the subtle knife as the pharmakon in Pullman's His Dark Materials
: Blomquist, Gregory, Thompson, Bill, Wiznura, Rob
: 2013

: Social media and rhetoric
: Chehayeb, Rita, Hesemeier, Susan
: 2017-04-06

: More precious than a coyote
: Spak, Jordana, Hutchinson, Chris
: 2020

: The politics of gender in Azeri-Russophone literature
: Seyidova, Leyla, Grewal, Sara
: 2020

: Relationships defining us: Sweetland
: Wiznura, Clare
: 2019

: Voices of the silenced
: Gordey, Gordon, Ganert, Dave, Lilley, Stephanie, Kochan, Alexis, Dunn, Maria, Pugh, Ryan
: 2013

: Midway to nowhere: the refugee experience in Candide
: Robinson, Mac, Sayed, Asma
: 2017

: “The day an elephant walked across the River Thames (1814)”
: Hutchinson, Chris
: 2018

: Spark of light: introduction
: Henitiuk, Valerie, Kar, Supriya
: 2016

: Human after all: an exploration of Steven Galloway's The cellist of Sarajevo
: Horvath, Steven
: 2010

: Vechornytsi (Life is a cabaret)
: Gordey, Gordon, Ganert, Dave
: 2013

: Jokes and their relation to gender orders
: Abedinifard, Mostafa
: 2012

: Shumka remembers
: Gordey, Gordon, Ganert, Dave
: 2013

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