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: "The best laid plans of Marx and men": Mitch Podolak, revolution, and the Winnipeg Folk Festival
: MacDonald, Michael B.
: 2008

: A pedagogy of cultural sustainability: YEGH3 (Edmonton hip-hop history) as a decentralized model for hip-hop’s global microhistories
: MacDonald, Michael B.
: 2014

: African rhythm as the foundation of contemporary bass performance
: de Toledo, Rubim
: 2018

: American goddess: a modern apotheosis
: MacDonald, Michael B.
: 2011

: Arabesque
: Connah, Cyndi, LeBel, Emilie
: 2020

: Back to the garden: territory and exchange in western Canadian folk music festivals
: MacDonald, Michael B.
: 2010

: Be mine
: Connah, Cyndi, LeBel, Emilie
: 2020

: Citizen science on the Bras D'Or
: MacDonald, Michael B.
: 2016

: Composition grad recital
: Connah, Cyndi, LeBel, Emilie
: 2020

: Craig Brenan's autonomic robots
: Brenan, Craig
: 2014

: Cultural studies of youth culture: aesthetics as critical aesthetic education
: MacDonald, Michael B.
: 2014

: Dogleg
: Brenan, Craig
: 2014

: Dream #7
: Brenan, Craig
: 2014

: Eighty-eight drums: the piano as percussion instrument in jazz
: Van Seters, Tom
: 2011

: Fire & ice
: Connah, Cyndi, LeBel, Emilie
: 2020

: Floating circuit
: Parent, Nathalie, Hamel, Marcel
: 2019

: Flow
: MacDonald, Michael B.
: 2012

: Fold
: MacDonald, Michael B.
: 2012

: Furious
: Brenan, Craig
: 2014

: Hip-hop citizens: local hip-hop and the production of democratic grassroots change in Alberta
: MacDonald, Michael B.
: 2012

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