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: Progressive feminism through James Bond
: Mosley, Eric, Perschon, Mike
: 2015

: The politics of gender in Azeri-Russophone literature
: Seyidova, Leyla
: 2020

: Set apart: implications of naming practices in Indian horse
: Wielinga, Farron
: 2014

: Immense suffering and the journey of a refugee: analyzing Candide
: Hindocha, Rajoo, Sayed, Asma
: 2017

: Masculine righteousness in Frank Miller’s Batman: The Dark Knight Returns and Quentin Tarantino’s Inglourious Basterds
: Massa, Cossette
: 2018

: Cutting into the abyss: the subtle knife as the pharmakon in Pullman's His Dark Materials
: Blomquist, Gregory, Thompson, Bill, Wiznura, Rob
: 2013

: With confidence I avenge thee
: Peters, Carrianne
: 2013

: Midway to nowhere: the refugee experience in Candide
: Robinson, Mac, Sayed, Asma
: 2017

: Social media and rhetoric
: Chehayeb, Rita, Hesemeier, Susan
: 2017-04-06

: More precious than a coyote
: Spak, Jordana, Hutchinson, Chris
: 2020

: The politics of gender in Azeri-Russophone literature
: Seyidova, Leyla, Grewal, Sara
: 2020

: Relationships defining us: Sweetland
: Wiznura, Clare
: 2019

: The ship Is alive! Not really, but maybe!
: Darlington, Sam
: 2013

: If only reality wasn’t so…real: beyond the adventure in Michael Ondaatje’s The cat’s table
: Malin, Carrie
: 2013

: White ice
: Snyder, Elisia
: 2014

: Barnburner
: Monahan, Justin Patrick
: 2015

: Research essay of Lullabies for little criminals by Heather O'Neill
: Lekas, Ariel
: 2009

: Sequestered spaces, and what is within and without in regards to Naomi Novik’s Temeraire series
: Letendre, Casey, Perschon, Mike
: 2020

: Equalizing extremes to master the mean
: Barlow, Chelsea
: 2011

: Human after all: an exploration of Steven Galloway's The cellist of Sarajevo
: Horvath, Steven
: 2010

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