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Research essay of Lullabies for little criminals by Heather O'Neill
Lekas, Ariel
2009
Human after all: an exploration of Steven Galloway's The cellist of Sarajevo
Horvath, Steven
2010
Tina
Lowe, Devyn
2010
Soma
Pederson, Kaley
2011
Equalizing extremes to master the mean
Barlow, Chelsea
2011
Cutting into the abyss: the subtle knife as the pharmakon in Pullman's His Dark Materials
Blomquist, Gregory, Thompson, Bill, Wiznura, Rob
2013
The ship Is alive! Not really, but maybe!
Darlington, Sam
2013
With confidence I avenge thee
Peters, Carrianne
2013
If only reality wasn’t so…real: beyond the adventure in Michael Ondaatje’s The cat’s table
Malin, Carrie
2013
"We story them": Thomas King's rhetorical approach to the de-othering and re-storying of First Nations people
Moorsel, Alyssa Van, Robinson, Jack
2013
The ponderings of a poet: architecture as representative of an author's concerns in Geoffrey Chaucer's House of Fame
Spies, McKenzie, Farvolden, Pam, Wiznura, Rob
2013
Set apart: implications of naming practices in Indian horse
Wielinga, Farron
2014
White ice
Snyder, Elisia
2014
"If everything is stable, one is not going to move very far": reality as illusion in Ondaatje's The cat's table
Barratt, Jessica
2014
“Something inaudible”: Anthony Burgess’s Mozart and the wolf gang and Kirsty Gunn’s the big music as literary music through Roland Barthes’s concept of listening
Behr, Eric
2014
Inside, outside, inside–out: circles in Indian horse
Regan, Rebecca
2014
Reality is just a dream: the significance of the uncanny in Christopher Nolan’s Inception
Vyskocil, Kristina
2014
We were sent to cleave the savage from them
Van Vliet, Paulina
2014
Progressive feminism through James Bond
Mosley, Eric, Perschon, Mike
2015
Depictions of women in Victorian literature: precursors of social change or stereotypical?
Hermary, Dorothy
2015
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