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Set apart: implications of naming practices in Indian horse
Wielinga, Farron
2014
Immense suffering and the journey of a refugee: analyzing Candide
Hindocha, Rajoo, Sayed, Asma
2017
Masculine righteousness in Frank Miller’s Batman: The Dark Knight Returns and Quentin Tarantino’s Inglourious Basterds
Massa, Cossette
2018
Cutting into the abyss: the subtle knife as the pharmakon in Pullman's His Dark Materials
Blomquist, Gregory, Thompson, Bill, Wiznura, Rob
2013
With confidence I avenge thee
Peters, Carrianne
2013
Midway to nowhere: the refugee experience in Candide
Robinson, Mac, Sayed, Asma
2017
Fighting the fear: everyday terror in the American short story collection after 9/1: a study of Jennifer Egan’s A Visit from the Goon Squad and Elizabeth Strout’s Olive Kitteridge
Kruger, Rae-Lee
2016
Social media and rhetoric
Chehayeb, Rita, Hesemeier, Susan
2017-04-06
More precious than a coyote
Spak, Jordana, Hutchinson, Chris
2020
Relationships defining us: Sweetland
Wiznura, Clare
2019
The ship Is alive! Not really, but maybe!
Darlington, Sam
2013
Depictions of women in Victorian literature: precursors of social change or stereotypical?
Hermary, Dorothy
2015
If only reality wasn’t so…real: beyond the adventure in Michael Ondaatje’s The cat’s table
Malin, Carrie
2013
White ice
Snyder, Elisia
2014
Barnburner
Monahan, Justin Patrick
2015
Research essay of Lullabies for little criminals by Heather O'Neill
Lekas, Ariel
2009
“Something inaudible”: Anthony Burgess’s Mozart and the wolf gang and Kirsty Gunn’s the big music as literary music through Roland Barthes’s concept of listening
Behr, Eric
2014
Sequestered spaces, and what is within and without in regards to Naomi Novik’s Temeraire series
Letendre, Casey, Perschon, Mike
2020
Equalizing extremes to master the mean
Barlow, Chelsea
2011
Human after all: an exploration of Steven Galloway's The cellist of Sarajevo
Horvath, Steven
2010
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