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(1 - 19 of 19)

: A future without spectacle: a refuge from cultural hegemony in contemporary art and neo-humanism
: MacDonald, Emily Lynne
: 2015

: Author functions in Lars Kepler’s The Hypnotist: an analysis
: Merkley, Taylor
: 2020

: Building pressure: a deliberative argument against the Northern Gateway Pipeline
: Pluim, Derek Neil
: 2012

: Closing the social distance: mitigating gender inequality in organizations using complexity theory in response to remote work during the COVID-19 pandemic
: McMullen, Lauren, Schultz, Kennedy
: 2021

: Doctor Manhattan's voice
: Zittlaw, Jim
: 2014

: Extra chapter: Lullabies: Jules remix
: Skinner, Heather
: 2009

: Flattening the curve: the role of communications in Canada's response to COVID-19
: Power, Victoria, Krebes, Amanda
: 2020

: On waxen wings: challenges to the public sphere in the network age
: Francoeur, Mike
: 2016

: River City Tile Company: external communication plan
: Haynes, Kaylee Robyn
: 2015

: Selling ourselves short: a discussion of water-markets in Alberta
: Pluim, Derek Neil
: 2013

: Separating religion from cult: an analysis of cult-like organizations
: Wheeler, Alisha
: 2020

: Small gifts
: Saroya, Japkaran
: 2021

: Sorry, I should have checked the culture first: an exploration into the use of cultural context related to social orientations in interpersonal apologies
: Kenny, Samantha Christine
: 2020

: The feminine voice in global journalism: the example of Ukraine
: Wiart, Nicole
: 2014

: The white lie of persuasive communication
: Bergum, Jaime
: 2021

: Twerking and cultural appropriation: Miley Cyrus’ display of racial ignorance
: Zink, Shereen
: 2016

: Unhealthy communication: health care communication between majority and minority cultural groups
: Puplampu, Adiki
: 2020

: Who are you, YouTube? The invisible corporate individuals of YouTube and its extremely visible creators
: Small, Emma Joanne
: 2020

: Writing apprehension: an unnoticed page from the book of anxiety
: Witiw, Taylor
: 2014