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"If everything is stable, one is not going to move very far": reality as illusion in Ondaatje's The cat's table
Barratt, Jessica
2014
Barnburner
Monahan, Justin Patrick
2015
Depictions of women in Victorian literature: precursors of social change or stereotypical?
Hermary, Dorothy
2015
Equalizing extremes to master the mean
Barlow, Chelsea
2011
Fighting the fear: everyday terror in the American short story collection after 9/1: a study of Jennifer Egan’s A Visit from the Goon Squad and Elizabeth Strout’s Olive Kitteridge
Kruger, Rae-Lee
2016
If only reality wasn’t so…real: beyond the adventure in Michael Ondaatje’s The cat’s table
Malin, Carrie
2013
Inside, outside, inside–out: circles in Indian horse
Regan, Rebecca
2014
Living in the moment: the everyday in Woolf’s Mrs. Dalloway and Cunningham’s The Hours
Bushell, Jessa
2015
Lysistrata, Agamemnon, and Sherlock Holmes: the construction of the subjugated female in classical and Victoria literature
Reisinger, Ashley Laura Danielle
2016
Reality is just a dream: the significance of the uncanny in Christopher Nolan’s Inception
Vyskocil, Kristina
2014
Research essay of Lullabies for little criminals by Heather O'Neill
Lekas, Ariel
2009
Set apart: implications of naming practices in Indian horse
Wielinga, Farron
2014
Soma
Pederson, Kaley
2011
The analogous writer: literary evolution in modernist Virginia Woolf
Hall, Andrew
2016
The ship Is alive! Not really, but maybe!
Darlington, Sam
2013
We were sent to cleave the savage from them
Van Vliet, Paulina
2014
Where patriarchy, gender, and verdicts collide: servant theft against their masters in England during the late seventeenth and early eighteenth centuries
Letawsky, Sarah
2016
White ice
Snyder, Elisia
2014
With confidence I avenge thee
Peters, Carrianne
2013
‘A peculiar gift of providence': the power-imbalance caused by gift-giving in Millenium Hall
Snyder, Elisia
2015
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