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: A pedagogy of cultural sustainability: YEGH3 (Edmonton hip-hop history) as a decentralized model for hip-hop’s global microhistories
: MacDonald, Michael B.
: 2014

: African rhythm as the foundation of contemporary bass performance
: de Toledo, Rubim
: 2018

: American goddess: a modern apotheosis
: MacDonald, Michael B.
: 2011

: Back to the garden: territory and exchange in western Canadian folk music festivals
: MacDonald, Michael B.
: 2010

: Cultural studies of youth culture: aesthetics as critical aesthetic education
: MacDonald, Michael B.
: 2014

: Eighty-eight drums: the piano as percussion instrument in jazz
: Van Seters, Tom
: 2011

: Flow
: MacDonald, Michael B.
: 2012

: Fold
: MacDonald, Michael B.
: 2012

: Hip-hop citizens: local hip-hop and the production of democratic grassroots change in Alberta
: MacDonald, Michael B.
: 2012

: Knowing Pandora in sound: acoustemology and ecomusicological imagination in Cameron's Avatar
: MacDonald, Michael B.
: 2013

: Minor
: MacDonald, Michael B.
: 2012

: Nomadic
: MacDonald, Michael B.
: 2012

: Transformation and generic interaction in the early serial music of Igor Stravinsky
: Richards, William
: 2003

: Wildness, eschatology, and enclosure in the songs of Townes Van Zandt
: MacDonald, Michael B.
: 2013