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(1 - 19 of 19)

: Unspittable: long-form ethnographic music video as cine-ethnomusicology research-creation
: MacDonald, Michael B.
: 2020

: African rhythm as the foundation of contemporary bass performance
: de Toledo, Rubim
: 2018

: A pedagogy of cultural sustainability: YEGH3 (Edmonton hip-hop history) as a decentralized model for hip-hop’s global microhistories
: MacDonald, Michael B.
: 2014

: Research in the creative and performing arts
: Gilliland, Allan
: 2014

: Cultural studies of youth culture: aesthetics as critical aesthetic education
: MacDonald, Michael B.
: 2014

: Knowing Pandora in sound: acoustemology and ecomusicological imagination in Cameron's Avatar
: MacDonald, Michael B.
: 2013

: Wildness, eschatology, and enclosure in the songs of Townes Van Zandt
: MacDonald, Michael B.
: 2013

: Minor
: MacDonald, Michael B.
: 2012

: Nomadic
: MacDonald, Michael B.
: 2012

: Fold
: MacDonald, Michael B.
: 2012

: Hip-hop citizens: local hip-hop and the production of democratic grassroots change in Alberta
: MacDonald, Michael B.
: 2012

: Flow
: MacDonald, Michael B.
: 2012

: Jazz harmony: pitch-class set genera, transformation, and practical music
: Richards, William
: 2012

: Eighty-eight drums: the piano as percussion instrument in jazz
: Van Seters, Tom
: 2011

: American goddess: a modern apotheosis
: MacDonald, Michael B.
: 2011

: Back to the garden: territory and exchange in western Canadian folk music festivals
: MacDonald, Michael B.
: 2010

: Singing me into this land: the territorialization of a spiritual ecosystem
: MacDonald, Michael B.
: 2009

: "The best laid plans of Marx and men": Mitch Podolak, revolution, and the Winnipeg Folk Festival
: MacDonald, Michael B.
: 2008

: Transformation and generic interaction in the early serial music of Igor Stravinsky
: Richards, William
: 2003