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: "If everything is stable, one is not going to move very far": reality as illusion in Ondaatje's The cat's table
: Barratt, Jessica
: 2014

: Depictions of women in Victorian literature: precursors of social change or stereotypical?
: Hermary, Dorothy
: 2015

: Fighting the fear: everyday terror in the American short story collection after 9/1: a study of Jennifer Egan’s A Visit from the Goon Squad and Elizabeth Strout’s Olive Kitteridge
: Kruger, Rae-Lee
: 2016

: Living in the moment: the everyday in Woolf’s Mrs. Dalloway and Cunningham’s The Hours
: Bushell, Jessa
: 2015

: Lysistrata, Agamemnon, and Sherlock Holmes: the construction of the subjugated female in classical and Victoria literature
: Reisinger, Ashley Laura Danielle
: 2016

: Reality is just a dream: the significance of the uncanny in Christopher Nolan’s Inception
: Vyskocil, Kristina
: 2014

: The analogous writer: literary evolution in modernist Virginia Woolf
: Hall, Andrew
: 2016

: Where patriarchy, gender, and verdicts collide: servant theft against their masters in England during the late seventeenth and early eighteenth centuries
: Letawsky, Sarah
: 2016

: ‘A peculiar gift of providence': the power-imbalance caused by gift-giving in Millenium Hall
: Snyder, Elisia
: 2015

: “Something inaudible”: Anthony Burgess’s Mozart and the wolf gang and Kirsty Gunn’s the big music as literary music through Roland Barthes’s concept of listening
: Behr, Eric
: 2014