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Browsing by Author "A., Y."

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    Mother, maiden, matron: the origin of Morgan le Fay, as it pertains to Sir Thomas Malory’s Le Morte Darthur
    (2022) A., Y.
    The origin of the Arthurian mythos has long engrossed scholars and enthusiasts alike for centuries, and, perhaps, no character has bewildered scholars more than Morgan le Fay. Throughout the many iterations of the Arthurian legend, Morgan le Fay has been characterized in incompatible ways; as both an ally and foe to King Arthur and the Knights of the Round Table. In Sir Thomas Malory's Le Morte Darthur, this juxtaposed characterization is fully established as he characterizes Morgan le Fay as both King Arthur's chief antagonist as well as the figure who welcomes him into Avalon at the end of the text. This essay serves to exam the origin of Morgan le Fay as a literary character and, by examining and understanding her influences, justify her conflciting and inconsistent portrayls in the Arthurian continuum, specifically within Malory's epic poem.
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    Textual odalisque: from Roxolana to Hürrem Sultan
    (2022) A., Y.; Krys, Svitlana
    My thesis examines the trajectory of literary depictions of the enigmatic figure of Hürrem Sultan (otherwise known as Roxolana, circa. 1502-1558), the legal wife of Sultan Suleiman the Magnificent and the first Haseki Sultan, or Imperial Consort, of the Ottoman Empire. It will first consider Hürrem’s emergence on the European stage as a product of Orientalist discourse, then focus in detail on her more recent Ukrainian and Turkish cultural depictions. To assist my analysis, I will employ the theory of re-Orientalism, which is defined by Lisa Lau as an approach that determines “how cultural producers with eastern affiliations come to terms with an orientalized East, whether by complying with perceived expectations of western readers, by playing with them or by discarding them altogether." I will examine the Ukrainian opera Roksoliana (by Denys Sichynsky, 1911) and two contemporary Turkish productions, the television show Muhteşem Yüzyıl (The Magnificent Century, 2011, Tims Productions) and the play Gayri Resmi Hurrem (Unofficial Roxelana, by Ozen Yula, 2003) to show how they question, critique, and dispel Orientalist tropes associated with Roxolana in the western European imagination.
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    Textual odalisque: From Roxolana to Hürrem Sultan
    (2022) A., Y.; Krys, Svitlana
    My thesis examines the trajectory of literary depictions of the enigmatic figure of Hürrem Sultan (otherwise known as Roxolana, circa. 1502-1558), the legal wife of Sultan Suleiman the Magnificent and the first Haseki Sultan, or Imperial Consort, of the Ottoman Empire. It will first consider Hürrem’s emergence on the European stage as a product of Orientalist discourse, then focus in detail on her more recent Ukrainian and Turkish cultural depictions. To assist my analysis, I will employ the theory of re-Orientalism, which is defined by Lisa Lau as an approach that determines “how cultural producers with eastern affiliations come to terms with an orientalized East, whether by complying with perceived expectations of western readers, by playing with them or by discarding them altogether." I will examine the Ukrainian opera Roksoliana (by Denys Sichynsky, 1911) and two contemporary Turkish productions, the television show Muhteşem Yüzyıl (The Magnificent Century, 2011, Tims Productions) and the play Gayri Resmi Hurrem (Unofficial Roxelana, by Ozen Yula, 2003) to show how they question, critique, and dispel Orientalist tropes associated with Roxolana in the western European imagination.