Reality is just a dream: the significance of the uncanny in Christopher Nolan’s Inception

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dc.contributor.authorVyskocil, Kristina
dc.date.accessioned2015-02-03
dc.date.accessioned2022-05-27T01:13:29Z
dc.date.available2022-05-27T01:13:29Z
dc.date.issued2014
dc.description.abstractIn this research essay, the author argues a psychoanalytic interpretation of Christopher Nolan's film Inception: that it is impossible to know the real world. Furthermore, that uncanny experiences serve as reminder of the real world, but that we need to forget the real world and accept our perceived reality in order to continue functioning. The train, the open window, Mal and even the children are presented as elements of the uncanny.
dc.format.extent115.67 kb
dc.format.mimetypePDF
dc.identifier.citationVyskocil, Kristina. “Reality is Just a Dream: The Significance of the Uncanny in Christopher Nolan’s Inception.” MUSe 1.1 (2014): 136-139. Web. 3 February 2014.
dc.identifier.urihttps://hdl.handle.net/20.500.14078/224
dc.languageEnglish
dc.language.isoen
dc.rightsAll Rights Reserved
dc.subjectuncanny
dc.subjectInception
dc.titleReality is just a dream: the significance of the uncanny in Christopher Nolan’s Inception
dc.typeStudent Article
dspace.entity.type
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