It’s not gothic - it’s about the stories within the story
dc.contributor.advisor | Robinson, Jack | |
dc.contributor.author | Sorensen, Kelsey | |
dc.date.accessioned | 2019-05-07 | |
dc.date.accessioned | 2022-05-31T00:01:29Z | |
dc.date.available | 2022-05-31T00:01:29Z | |
dc.date.issued | 2019 | |
dc.description | Presented on April 23, 2019 at Student Research Day held at MacEwan University in Edmonton, Alberta. | |
dc.description.abstract | Eden Robinson uses a variety of Haisla stories in her novel Monkey Beach. Some critics have viewed her novel as a gothic story, however, the novel is filled with cultural dimension that outshines any gothic elements. These elements and stories, not only preserve Haisla culture; but make it available to a variety of readers. Interdisciplinary Dialogue Project. | |
dc.format.extent | 26.8 KB | |
dc.format.mimetype | ||
dc.identifier.uri | https://hdl.handle.net/20.500.14078/1324 | |
dc.language | English | |
dc.language.iso | en | |
dc.rights | All Rights Reserved | |
dc.subject | Haisla | |
dc.subject | cultures | |
dc.subject | literary criticism | |
dc.title | It’s not gothic - it’s about the stories within the story | en |
dc.type | Student Presentation | |
dspace.entity.type |
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