Erick Meyenberg: race discourse in present continuous
| dc.contributor.author | Vergara-Vargas, Erandy | |
| dc.date.accessioned | 2024-03-11T20:49:37Z | |
| dc.date.available | 2024-03-11T20:49:37Z | |
| dc.date.issued | 2013 | |
| dc.description.abstract | This essay discusses two immersive installations by Mexican artist Erick Meyenberg. I argue that both Return to the Present (2011), and Étude taxonomique et comparative entre les castes de la Nouvelle Espagne et celles du Mexique contemporain (2010) provide critical insights into the historical roots of the racial constructs that still prevail in contemporary societies. | |
| dc.identifier.citation | Vergara-Vargas, Erandy. “Erick Meyenberg: Race Discourse in Present Continuous.” Archée, March 2013, http://archee.qc.ca/ar.php?page=article&no=427 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.14078/3474 | |
| dc.language.iso | en | |
| dc.rights | All Rights Reserved | |
| dc.subject | art installations | |
| dc.subject | Erick Meyenberg | |
| dc.subject | racialized identity | |
| dc.title | Erick Meyenberg: race discourse in present continuous | en |
| dc.type | Article |
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