Observing three points
| dc.contributor.author | Mallon, Darci | |
| dc.date.accessioned | 2015-06-17 | |
| dc.date.accessioned | 2022-05-27T01:14:06Z | |
| dc.date.available | 2022-05-27T01:14:06Z | |
| dc.date.issued | 1993 | |
| dc.description.abstract | This exhibition at the Glenbow Museum comprised seven large artworks: four made with ink on multiple layers of mylar, braced together with steel, suspended and backlit; and three drawn with ink, chalk, and graphite on panels of BFK paper. The subjects, drawn with the artist's inked fingerprints, were small objects, each with a point: a railroad spike, a boat hook and a tack. The development of this body of work was informed by the artist's interest in existentialism and the phenomenology of perception. | |
| dc.format.extent | 303.13 KB | |
| dc.format.mimetype | ||
| dc.identifier.citation | Observing three points: Darci Mallon. Essay by Patricia Ainslie, curator. Calgary: Glenbow Museum, 1993. | |
| dc.identifier.uri | https://hdl.handle.net/20.500.14078/361 | |
| dc.language | English | |
| dc.language.iso | en | |
| dc.relation.uri | http://roam.macewan.ca/islandora/object/gm:636 | |
| dc.rights | All Rights Reserved | |
| dc.subject | existentialism | |
| dc.subject | phenomenology | |
| dc.subject | drawing | |
| dc.subject | fingerprints | |
| dc.subject | Sarte\ | |
| dc.subject | Merleau-Ponty | |
| dc.title | Observing three points | en |
| dc.type | Creative Work | |
| dspace.entity.type |
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