Mujeres esquivas and the paternal function

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dc.contributor.authorCowling, Erin
dc.date.accessioned2021-05-18
dc.date.accessioned2022-05-31T01:43:38Z
dc.date.available2022-05-31T01:43:38Z
dc.date.issued2015
dc.description.abstractUsing the psychoanalytical concept of the paternal function, this article will explore the ways in which two similar plays, Lo que son mujeres by Francisco Rojas Zorilla and El desdén con el desdén by Agustín Moreto diverge in their endings, hinging on the function, or lack thereof, of the father figure.
dc.format.extent122.33KB
dc.format.mimetypePDF
dc.identifier.citationCowling, Erin. “Mujeres esquivas and the Paternal Function.” Hipogrifo: Revista de literatura y cultura del Siglo de Oro, 3.1, May 2015, pp. 141-53. DOI: 10.13035/H.2015.03.01.10
dc.identifier.doihttps://doi.org/10.13035/H.2015.03.01.10
dc.identifier.urihttps://hdl.handle.net/20.500.14078/2280
dc.languageEnglish
dc.language.isoen
dc.rightsAttribution-NonCommercial-NoDerivs (CC BY-NC-ND)
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectliterature
dc.subjecttheatre
dc.subjectpsychoanalysis
dc.subjectcomedia
dc.subjectRojas Zorrilla
dc.subjectMoreto
dc.subjectmujer esquiva
dc.titleMujeres esquivas and the paternal function
dc.typeArticle
dspace.entity.type
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