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Unearthing Montreal’s past in Hochelaga, terre des âmes

dc.contributor.authorEpp, Marla
dc.date.accessioned2022-09-15
dc.date.accessioned2022-10-12T21:20:34Z
dc.date.available2022-10-12T21:20:34Z
dc.date.issued2021
dc.description.abstractHochelaga, terre des âmes considers what lies both beneath and above the ground, approaching the past through a study of trees and the natural world as well as through an academic, archaeological dig. Girard celebrates both ways of looking, and, ultimately, like DidiHuberman, shows them to be two facets of the same process of unearthing the past. As Lionel Ruffel contends, a combination of the two is a very contemporary way of approaching the past. The film is also contemporary in another sense, as it actively participates in current discussions around reconciliation in Canada.
dc.format.extent143.32KB
dc.format.mimetypePDF
dc.identifier.citationEpp, Marla. “Unearthing Montreal’s Past in Hochelaga, terre des âmes.” Green Humanities vol. 3, 2021, pp. 4-23.
dc.identifier.urihttps://hdl.handle.net/20.500.14078/2800
dc.languageEnglish
dc.language.isoen
dc.rightsAll Rights Reserved
dc.subjectHochelaga, terre des âmes
dc.subjectFrançois Girard
dc.titleUnearthing Montreal’s past in Hochelaga, terre des âmesen
dc.typeArticle

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