Aletheia: the unconcealedness of what-is present

dc.contributor.author	Mallon, Darci
dc.date.accessioned	2015-07-15
dc.date.accessioned	2022-05-27T01:14:09Z
dc.date.available	2022-05-27T01:14:09Z
dc.date.issued	1995
dc.description	Exhibitions: 1996 Aletheia: the unconcealedness of what-is present, Eye Level Gallery, Halifax 1995 Art Gallery of Alberta, Edmonton 1995 Stride Gallery, Calgary, Alberta
dc.description.abstract	This exhibition, Aletheia: the unconcealedness of What-is present, comprised two ink fingerprint drawings, one entitled Phosphenes and the other entitled, The Braille Pot. These works reflected a study on forms of blindness; blindness in the phenomenological sense as understood through philosophy and as well, as a consequence of the functioning of the brain and retinal system.
dc.format.extent	13.7 MB
dc.format.mimetype	PDF
dc.identifier.citation	Mallon, Darci. Alethiea: the Unconcealedness of What-Is Present. Essays by Diana Sherlock and Dionne McAffee. Calgary, AB: Stride Gallery, 1995.
dc.identifier.uri	https://hdl.handle.net/20.500.14078/367
dc.language	English
dc.language.iso	en
dc.rights	All Rights Reserved
dc.subject	drawing
dc.subject	installation
dc.subject	Heidegger
dc.subject	Aletheia
dc.subject	Phosphenes
dc.subject	Helen Keller
dc.subject	Braille
dc.subject	proprioception
dc.title	Aletheia: the unconcealedness of what-is present	en
dc.type	Creative Work
dspace.entity.type

Files

Now showing 1 - 1 of 1