Aletheia: the unconcealedness of what-is present

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dc.contributor.authorMallon, Darci
dc.date.accessioned2015-07-15
dc.date.accessioned2022-05-27T01:14:09Z
dc.date.available2022-05-27T01:14:09Z
dc.date.issued1995
dc.descriptionExhibitions: 1996 Aletheia: the unconcealedness of what-is present, Eye Level Gallery, Halifax 1995 Art Gallery of Alberta, Edmonton 1995 Stride Gallery, Calgary, Alberta
dc.description.abstractThis exhibition, Aletheia: the unconcealedness of What-is present, comprised two ink fingerprint drawings, one entitled Phosphenes and the other entitled, The Braille Pot. These works reflected a study on forms of blindness; blindness in the phenomenological sense as understood through philosophy and as well, as a consequence of the functioning of the brain and retinal system.
dc.format.extent13.7 MB
dc.format.mimetypePDF
dc.identifier.citationMallon, Darci. Alethiea: the Unconcealedness of What-Is Present. Essays by Diana Sherlock and Dionne McAffee. Calgary, AB: Stride Gallery, 1995.
dc.identifier.urihttps://hdl.handle.net/20.500.14078/367
dc.languageEnglish
dc.language.isoen
dc.rightsAll Rights Reserved
dc.subjectdrawing
dc.subjectinstallation
dc.subjectHeidegger
dc.subjectAletheia
dc.subjectPhosphenes
dc.subjectHelen Keller
dc.subjectBraille
dc.subjectproprioception
dc.titleAletheia: the unconcealedness of what-is present
dc.typeCreative Work
dspace.entity.type
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