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‘Born in villages, roaming the world’: Diasporicity in Fateh’s Sikh Canadian hip hop

dc.contributor.authorGrewal, Sara
dc.date.accessioned2025-05-23T21:04:17Z
dc.date.available2025-05-23T21:04:17Z
dc.date.issued2023
dc.description.abstractThis paper shows that various songs by Sikh Canadian rap artist Fateh represent engagements with essentialist discourses that neatly mirror Bibi Bakare-Yusuf’s notion of “diasporicity”: the continual re-inscription of the origin in acts of embodied agency that retain their connection to tradition while also negotiating the body’s social meanings that exist outside of the subject’s selfpositioning. I argue through a reading of Fateh’s songs that the notion of diasporicity reveals how race, ethnicity, and religion overlap for Sikh Canadians—especially the ways in which bodily expressions of Sikh “religion” are simultaneously interpellated through the discourse of culture/ethnicity and religio-racialization.
dc.description.urihttps://macewan.primo.exlibrisgroup.com/permalink/01MACEWAN_INST/d1nmsu/cdi_crossref_primary_10_1080_17448727_2023_2237241
dc.identifier.citationGrewal, S. (2023). ‘Born in villages, roaming the world’: Diasporicity in Fateh’s Sikh Canadian hip hop. Sikh Formations, 1–18. https://doi.org/10.1080/17448727.2023.2237241
dc.identifier.doihttps://doi.org/10.1080/17448727.2023.2237241
dc.identifier.urihttps://hdl.handle.net/20.500.14078/3920
dc.language.isoen
dc.rightsAll Rights Reserved
dc.subjectrap
dc.subjecthip hop
dc.subjectracialization
dc.subjectSikh diaspora
dc.subjectCanadian multiculturalism
dc.title‘Born in villages, roaming the world’: Diasporicity in Fateh’s Sikh Canadian hip hopen
dc.typeArticle

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