Constructing a universal star: the intersection of cine-politics and comradery capital in Kamal Haasan’s cinema

Abstract

This chapter examines the multifaceted persona of Kamal Haasan, exploring his evolution from a regional icon to a transnational star, through the lens of comradery capital. It analyses how Haasan shaped his star image within his Tamil Nadu fan base, where fans, communities, and fellow actors affectionately call him Ulaka Nayakan (Universal Star) as a sign of respect and comradery. This chapter argues that Haasan’s construction of his popular image denotes his versatility that appeals to a diverse audience, enhanced by his roles as actor, director, producer, and political figure. His unconventional cinematic endeavours have not only challenged traditional societal norms but also contributed to the commodification of his celebrity status, transforming him into a modern auteur.