Knowing Pandora in sound: acoustemology and ecomusicological imagination in Cameron's Avatar

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dc.contributor.authorMacDonald, Michael B.
dc.date.accessioned2014-08-21
dc.date.accessioned2022-05-27T01:13:10Z
dc.date.available2022-05-27T01:13:10Z
dc.date.issued2013
dc.description.abstractUsing the music in James Cameron's Avatar, and drawing upon four case studies on ethnomusicology, this chapter reflects upon a way of knowing-through-sound called acoustemology.
dc.format.extent340 kb
dc.format.mimetypePDF
dc.identifier.citationMacDonald, Michael B. "Knowing Pandora in Sound: Acoustemology and Ecomusicological Imagination in Cameron's Avatar." In Avatar and Nature Spirituality, edited by Bron Taylor, 261-276. Waterloo, Ontario: Wilfrid Laurier University Press, 2013.
dc.identifier.isbn9781554588435
dc.identifier.urihttps://hdl.handle.net/20.500.14078/132
dc.languageEnglish
dc.language.isoen
dc.rightsAll Rights Reserved
dc.subjectAvatar
dc.subjectacoustemology
dc.subjectethnomusicology
dc.subjectindigenous peoples
dc.subjectenvironmental activism
dc.titleKnowing Pandora in sound: acoustemology and ecomusicological imagination in Cameron's Avatar
dc.typeBook Chapter
dspace.entity.type
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