Unspittable: long-form ethnographic music video as cine-ethnomusicology research-creation

dc.contributor.authorMacDonald, Michael B.
dc.date.accessioned2021-06-16
dc.date.accessioned2022-05-31T01:43:56Z
dc.date.available2022-05-31T01:43:56Z
dc.date.issued2020
dc.description.abstractCine-ethnomusicology, the cinematic study of music culture, is an emerging discipline in ethnomusicology. Benjamin Harbert, a leading figure in this movement, has called for a critical cinema of music to blend ethnomusicology and film studies. In response to this call, I forward the long-form ethnographic music video as a research-creation model that combines ethnographic filmmaking with music video production. This article introduces a three-assemblage ethnographic production model and uses the making of Unspittable (2019) as a case study.
dc.format.extent2.33MB
dc.format.mimetypePDF
dc.identifierhttps://doi.org/10.12835/ve2019.1-0140
dc.identifier.citationMacDonald, M. (2020). Unspittable: Long-Form Ethnographic Music Video as Cine-Ethnomusicology Research-Creation. Visual Ethnography, 9(1). doi:10.12835/ve2019.1-0140
dc.identifier.urihttps://hdl.handle.net/20.500.14078/2339
dc.languageEnglish
dc.language.isoen
dc.rightsAll Rights Reserved
dc.subjectmusic video
dc.subjectethnographic film
dc.subjectethnofiction
dc.subjectthree-assemblages
dc.subjectresearch-creation
dc.subjectphenomenological ethnomusicology
dc.subjectAlberta
dc.subjectCanada
dc.subjectDIY musicians
dc.titleUnspittable: long-form ethnographic music video as cine-ethnomusicology research-creation
dc.typeArticle
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