Ark: a return to Robson Valley
| dc.contributor.author | MacDonald, Michael B. | |
| dc.date.accessioned | 2024-03-08T15:39:45Z | |
| dc.date.available | 2024-03-08T15:39:45Z | |
| dc.date.issued | 2022 | |
| dc.description.abstract | What follows is a fictional conversation with a reviewer about the cinematic research-creation film Ark: A Return to Robson Valley(MacDonald 2022, dir.) published in this first issue of JAVEM. The purpose is to begin to discuss the value of fiction/neorealism in knowledge creation. The title and form of the essay riffs off of Brian Massumi’s (2008) “The Thinking-Feeling of What Happens: A Semblance of a Conversation.” In this conversation I am addressing comments from both reviewers, though playfully use the name Reviewer 2 to make a point about what Gilles Deleuze and Félix Guattari call conceptual personae from “What is Philosophy?” that: “names are intrinsic conceptual personae who haunt a particular plane of consistency” (1994:24). Authors quite often make jokes about the critical nature of Reviewer 2, and some will possibly have an affective response to the name, which may open further the space I am trying to flow through with this essay. | |
| dc.identifier.citation | MacDonald, M. B.(2022). Ark: A return to Robson Valley. Journal of Audiovisual Ethnomusicology, 1(1), Fall 2022. | |
| dc.identifier.uri | https://hdl.handle.net/20.500.14078/3465 | |
| dc.language.iso | en | |
| dc.rights | All Rights Reserved | |
| dc.subject | fiction | |
| dc.subject | neorealism | |
| dc.title | Ark: a return to Robson Valley | en |
| dc.type | Creative Work |
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