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Playing for change : music festivals as community learning and development

dc.contributor.authorMacDonald, Michael B.
dc.date.accessioned2024-01-11T21:19:54Z
dc.date.available2024-01-11T21:19:54Z
dc.date.issued2016
dc.description.abstractPlaying for Change – performing for money and for social justice – introduces a critical pedagogy of arts-based community learning and development (A-CLD), a new discipline wherein artists learn to become educators, social workers, and community economic development agents. Challenging the assumption that acculturation into a ruling ideology of state development is necessary, this book presents a version of CLD that locates development in the production of subjectivities. The author argues that A-CLD is as concerned with the autonomous collective and the individual as it is with establishing community infrastructure. As a result, a radical new theory is proposed to explain aesthetics within arts movements, beginning not by normalizing music cultures within global capitalism, but by identifying the creation of experimental assemblages as locations of cultural resistance. This book offers a new vocabulary of cultural production to provide a critical language for a theory of anti-capitalist subjectivity and for a new type of cultural worker involved with A-CLD. Drawing from a four-year study of thirteen music festivals, Playing for Change forwards A-CLD as a locally situated, joyful, and creative resistance to the globalizing forces of neoliberalism.
dc.description.urihttps://library.macewan.ca/full-record/cat00565a/7571041
dc.identifier.citationMacDonald, M. B. (2016). Playing for change : music festivals as community learning and development. Peter Lang Publishing, Inc.
dc.identifier.isbn9781433129711
dc.identifier.urihttps://hdl.handle.net/20.500.14078/3345
dc.language.isoen
dc.rightsAll Rights Reserved
dc.subjectmusic festivals
dc.subjectcommunity development
dc.subjectcapitalism
dc.titlePlaying for change : music festivals as community learning and developmenten
dc.typeBook

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