Jazz harmony: pitch-class set genera, transformation, and practical music
dc.contributor.author | Richards, William | |
dc.date.accessioned | 2014-10-07 | |
dc.date.accessioned | 2022-05-27T01:13:16Z | |
dc.date.available | 2022-05-27T01:13:16Z | |
dc.date.issued | 2012 | |
dc.description | Presented on June 1, 2012 at The Canadian University Music Society Conference held at Wilfrid Laurier University, Faculty of Music in Waterloo, Ontario. | |
dc.description.abstract | Contemporary jazz musicians draw from a rich and varied collection of techniques and strategies used towards the realization of harmonic succession, voicing and voice-leading, and linear improvisation. While musicians recognize the distinctiveness of various jazz chord-scales and harmonies, they also talk about “source scales” and chord families, and describe processes that apply to the manipulation of chord progressions including chord and chord-scale substitution, interpolation, and reduction. Aligned to jazz theoretic discourse, this paper presents a model of set-class space in which scales and chords typical of the jazz language coalesce into pc-set genera and form inter-generic relations through transformation. The model suggests a holistic, theoretical definition of jazz harmony and offers musicians a way of thinking about relations among scales and harmonies in terms of a transformational system that resides in transformational space, which in turn can be employed systematically and imaginatively towards the creation and interpretation of jazz music. | |
dc.format.extent | 254.31 kb | |
dc.format.mimetype | ||
dc.identifier.uri | https://hdl.handle.net/20.500.14078/165 | |
dc.language | English | |
dc.language.iso | en | |
dc.rights | All Rights Reserved | |
dc.subject | jazz harmony | |
dc.subject | jazz theory | |
dc.subject | chord-scales | |
dc.subject | source scales | |
dc.subject | transformation | |
dc.subject | near-equivalency | |
dc.subject | pc-set genera | |
dc.subject | transformational system | |
dc.subject | pc-set theory | |
dc.subject | set-class space | |
dc.subject | transformational space | |
dc.subject | diatonic | |
dc.subject | lydian b7 | |
dc.title | Jazz harmony: pitch-class set genera, transformation, and practical music | en |
dc.type | Presentation | |
dspace.entity.type |
Files
Original bundle
1 - 1 of 1
Loading...
- Name:
- Jazz_harmony:_pitch-class_set_genera,-_2012_roam.pdf
- Size:
- 254.31 KB
- Format:
- Adobe Portable Document Format