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Transformation and generic interaction in the early serial music of Igor Stravinsky

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dc.contributor.authorRichards, William
dc.date.accessioned2014-12-02
dc.date.accessioned2022-05-27T01:13:25Z
dc.date.available2022-05-27T01:13:25Z
dc.date.issued2003
dc.description.abstractThis dissertation investigates the compositionally continuous and discontinuous serial and non-serial formations found at or near the musical surface in works selected from Stravinsky’s early serial music, draws these formations into relationships through the analytical apparatus of an original transformational system, and explores their interactions through the model of generic set-class space. Ultimately, a dynamic model of the pitch structure for each of these works emerges that transcends order relationships embedded within the linear formations.
dc.format.extent3.29 MB
dc.format.mimetypePDF
dc.identifier.citationRichards, William H. "Transformation and Generic Interaction in the Early Serial Music of Igor Stravinsky." Phd thesis, University of Western Ontario, 2003.
dc.identifier.urihttps://hdl.handle.net/20.500.14078/208
dc.languageEnglish
dc.language.isoen
dc.rightsAll Rights Reserved
dc.subjecttransformation theory
dc.subjectsymmetry
dc.subjectpitch-class set genera
dc.subjectnear-equivalency
dc.subjectset-class space
dc.subjectpitch-class set theory
dc.subjectserial theory
dc.subjectIgor Stravinsky
dc.subjectAllen Forte
dc.subjectJoseph Straus
dc.subjectRichard Parks
dc.subjectRobert Morris
dc.titleTransformation and generic interaction in the early serial music of Igor Stravinskyen
dc.typeThesis
dspace.entity.type

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