Introduction: the comedia under siege
| dc.contributor.author | Cowling, Erin | |
| dc.contributor.author | Nieto-Cuebas, Glenda Y. | |
| dc.contributor.author | Fernández, Esther | |
| dc.date.accessioned | 2023-02-06T22:06:43Z | |
| dc.date.available | 2023-02-06T22:06:43Z | |
| dc.date.issued | 2022 | |
| dc.description.abstract | This introduction engages with the meaning and socio-cultural impact of a variety of artistic contributions within the realm of Hispanic theater that have been carried out in the Spanish-speaking world in order to keep production of the comedia afloat during the confinement due to COVID-19. It discusses what this implies for an inherently live medium such as the theater and, ultimately, introduces the content of the rest of the volume. | |
| dc.description.uri | https://library.macewan.ca/cgi-bin/SFX/url.pl/DYM | |
| dc.identifier.citation | Erin Alice Cowling, Esther Fernández & Glenda Y. Nieto-Cuebas (2022) Introduction: The Comedia Under Siege, Romance Quarterly, 69:2, 59-63, https://doi.org/10.1080/08831157.2021.2017239 | |
| dc.identifier.doi | https://doi.org/10.1080/08831157.2021.2017239 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.14078/2962 | |
| dc.language.iso | en | |
| dc.rights | All Rights Reserved | |
| dc.subject | comedia | |
| dc.subject | performance | |
| dc.subject | confinement | |
| dc.subject | fifth wall | |
| dc.subject | crisis | |
| dc.title | Introduction: the comedia under siege | en |
| dc.type | Article |