Department of Communication

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https://hdl.handle.net/20.500.14078/17

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365 snaps: a digital story
(2015) Wurfel, Marlene
The author combines 365 still images of her baby taken throughout the first year of her life with retrospective voiceover narration and music. This digital story, or, multimedia project, was produced at a Digital Storytelling Workshop for Educators at the Center for Digital Storytelling, now the StoryCenter in Berkeley, California. Some themes explored in the post-secondary classroom using this very personal story include humanizing pedagogy, social justice and feminist identity, and voice. To produce this creative research project, Marlene Wurfel explored camera techniques, digital storytelling techniques and the phenomenology of mother as documentarian. Photos were animated using Adobe Premiere Pro. Soundtrack by Frozen Silence via a Creative Commons license.
American frontier myth and black humour: a study of Marsha Norman’s The Holdup
(2017) Jose, Soumya; Raj, Sony Jalarajan
American frontier myth, which can aptly be termed as a relic of the past is intricately woven into the plot of Marsha Norman’s play, The Holdup. This paper attempts to unravel how the playwright has employed black humour to stage the metamorphosis of a naïve teenager to an adult with broader world view. Besides, the paper examines the technique of meta-narration used by the playwright to narrate the events that had happened offstage.
Amethyst
(2016) Wurfel, Marlene
Amethyst, a cinnamon-coloured black bear, develops a taste for people food at a Kootenay Mountain campsite.
Arachne gets revenge
(2017) Wurfel, Marlene
This Tales From the Lilypad original by Marlene Wurfel is a mash-up of new story and ancient Greek myth. There are bits from Theseus and the Minotaur, bits from Arachne and Athena's story, bits from Charlotte's Web, and entirely new bits, all woven together for contemporary heros and princessess. Warning: contains lots and lots of spiders.
An Arctic fairy tale
(2017) Wurfel, Marlene
Three little arctic fairies learn from the crow who raised them that they aren't crows and need to make their own way in the world as fairies. Will these siblings work together to make magic?
Better than the real you? VR, identity, privacy, and the metaverse
(2023) Macpherson, Iain; Puplampu, Adiki
If tech-sector CEOs from firms like Meta and Microsoft, plus industry hypers and investors, get their way, then days and nights like Kentarō’s will become commonplace. This future is heralded under a banner-word the metaverse, envisioned as a blending of virtual and physical realities that will profoundly alter how people experience everyday life, from entertainment to work to relationships. Think ‘augmented reality’ (AR): So, these are computer visuals overlaid by screen or lens onto the actual world – but re-imagine this as a more seamlessly immersive experience, in which we intensify or reduce, at will, our envelopment in virtuality. Meta CEO Mark Zuckerberg recently described the metaverse as an “embodied Internet, where instead of just viewing content, you are in it” (as cited in Newton, 2021, para.11). This metaverse will depend on advances and convergences across a vast technological array: 5/6G telecommunications, computer processing/graphics, VR, AR, artificial intelligence, social media, the mobile Internet, ‘smart’ glasses/lenses, body tracking and face recognition, holograms and deepfakes, blockchain and cryptocurrency, and ‘the Internet of Things.’ If this massively, multi-user, multimedia metaverse comes to pass, there will be ramifications for everything from the economy and politics to psychology and relationships. This chapter explores implications for human identity, in three senses: psychological well-being, a deeper ‘sense of self,’ and digital privacy. In each case, we highlight negative and positive discoveries and potentials regarding existing and emergent technologies. Our conclusions are tentative, since findings on ‘virtual identity’ remain debated, and the metaverse isn’t here yet, but this chapter will equip you to decide whether you approach its subject with worry, wonder, or doubt that virtual reality (VR) will transcend niche interests any time soon.
Between the borders of life and art: Roman Polanski’s transgressive negotiations
(2023) Raj, Sony Jalarajan; Suresh, Adith K.
Roman Polanski’s films are noted for their subversive psychological style that explores themes of sexuality, desire, alienation, and violence. His narratives often reflect a dark sense of humour through which the director perceives the absurdity of the human condition in relation to his own cultural dislocations and artistic eccentricity. This article investigates how different connotations of transgression play a major role in defining Roman Polanski as a filmmaker. It specifically explores how the polysemy of transgression structures Polanski as an artist whose real and cinematic negotiations are often intertwined. Through the constant subversion of moral, cultural, and social discourses, his visual style and narrative ideology maintain a notorious affinity that disturbs the notion of reality and manipulates it with new narrative texts. It is the idea of transgression that changes the way Polanski’s auteur status is perceived, appreciated, and rejected for his actions and creations in the past and their repercussions in the present. Polanski’s works use historical, social, and personal realities to renegotiate his transgressive image in real life by incorporating his contested victim status and persecuted selfhood in narratives that manipulate both the past and present.
Bodies that need queering: the queer hetero-topias in Malayalam cinema
(2023) Raj, Sony Jalarajan; Suresh, Adith K.
This edited volume offers a comprehensive understanding of the queer space in tandem with the transforming socio-cultural-political relationships in a country that exhibits diversified shades of ideologies and history – that is, India. The featured essays deal with the presence of queerness in visual media, particularly in films and the digital arena, from multilingual and multicultural perspectives, thus creating an exhaustive discourse encompassing argument and analysis. This book aims to depict the plurality and complexity of the Indian scenario, fostering mass acceptance of queerness, a rare scholastic endeavour.
Bollywood self-fashioning: Indian popular culture and representations of girlhood in 1970s Indian cinema
(2023) Raj, Sony Jalarajan; Suresh, Adith K.
This article investigates how Bollywood cinema represented girlhood experiences in India in the early 1970s. It argues that the films during this time focused on representing girls who displayed a variety of new fashion styles and attitudes, some of which were borrowed from western cultures. This was a sign that there was a new way of representing girls which broke with the submissive, dull and melancholic sari-wearing Indian female stereotype entrapped within domestic settings. The immediate result of this was the emergence of new style leaders and popular icons in Indian popular cinema. This study uses Stephen Greenblatt’s concept of self-fashioning and Guy Mankowski’s idea of self-design to examine how Indian girlhood was renegotiated in the 1970s as an individual-centric idea with more agency and power. Here, self-fashioning refers to the way girls adopt new elements of fashion, styles and attitudes to distinguish their identity from earlier archetypal modes of representation in film and culture. It specifically analyses the emergence of Jaya Bhaduri in Guddi (1971) and Dimple Kapadia in Bobby (1973) as case studies to understand the transformation of girlhood representations in early 1970s Bollywood that opened a new space for girls to redefine their selfhood through the assimilation of consumerism, western culture and fashion styles.
Buttercup cools down
(2016) Wurfel, Marlene
This mindfulness story was recorded in a pond full of little froggies. It's about the littlest frog in the pond, Buttercup, and how she learns to calm down.
Canadian post-secondary players in India: obstacles, issues, opportunities
(2008) Scherf, K.; Macpherson, Iain
In November 2007, the Canadian Bureau of International Educationorganized, along with the Shastri Indo-Canadian Institute, a Forum on Canada-India Higher Education Linkages. At that Forum, it became evident that Canadian post-secondary institutions conducting academic business with and in India are facing a number of problems, both operational and policy-related. This paper seeks to identify those common problems, discuss remedies, and suggest the best ideas for moving forward with a view to improving the situation for Canadian institutions that wish to work in and with India. Findings, while drawing on secondarysource readings, are based especially upon 17 interviews, conducted during Spring 2008 with key figures in the field, from professors and postsecondary administrators to promotional agents and political officials. An interesting range of problems emerged, but most striking is the fragmented, scattershot approach to conducting academic business in India, both by the government and academic institutions. This lack of coordination is uncharacteristic of countries whose international education portfolios run sleekly and effectively. The federal government’s recent changes to visa policy related to international education is a very positive move, however. Our recommendations focus on continuing improvements to visa service and, especially, on addressing the lack of co-ordination in and between governments and post-secondary institutions.
Cat and mouse in partnership
(2018) Wurfel, Marlene
A rearrangement and retelling of a Brother's Grimm fairytale: Cat and Mouse in Partnership. Cat and Mouse are in love. Can they make it work?
Cat castle III: Primrose escapes
(2019) Wurfel, Marlene
A Tales from the Lilypad original bedtime story for kids by Marlene Wurfel in which Primrose the Mouse must escape from the Cat Castle to perform a heroic task. Cats! Alicorns! Razzle Dazzle! An Enchanted Clock Tower!
Cat Castle part I: fairytale
(2019) Wurfel, Marlene
A Tales from the Lilypad retell of Grimm's The Poor Miller's Boy and the Cat. This fairytale has it all: romance, adventure, comeuppance, revenge, enchanted forests, and a magic castle where all the servants are kittens.
Cat castle part II: sleepytime in the Enchanted Castle
(2019) Wurfel, Marlene
This is a sequel to the Tales from the Lilypad's version of Grimm's The Poor Miller's Boy and the Cat. In the Grimm's fairytale, a poor boy is rescued by a cat who brings him to her enchanted castle in which all the servants are kittens. Inspired by the fairytale, this original 20 minute sleepycast or sleep meditation by Marlene Wurfel is to help kids fall asleep or to just rest and relax at naptime. Welcome to sleepytime at the Enchanted Castle where the sweetwater river flows past all the sleepy little kittens in the sleepy fortress in the enchanted forest.
The changeling
(2019) Wurfel, Marlene
Another adventure of the boy and girl whose job is the preparation and service of oatmeal. Fairies! Potions! Portals to another magical realm!
The Christmas tree story
(2014) Wurfel, Marlene
Chuckles and the wolverine
(2021) Wurfel, Marlene
Chuckles is a snow gnome who performs a daring rescue of a wolverine in this original story by Marlene Wurfel for Tales from the Lilypad. New music by Reid Alexander Whelton. Sound effects courtesy Creative Commons Universal Public Domain Licence and a Creative Commons Attribution Licence via freesound.org. Thank you Pedaling Prince.
City mouse and country mouse
(2016) Wurfel, Marlene
The more than 2000 year old fable of City Mouse and Country Mouse, re-told at the Lilypad by Lily, a frog, and two little mice.
Colonial rebels in Indian cinema: narratives, ideology and popular culture
(2014) Raj, Sony Jalarajan; Sreekumar, Rohini
Historical films are a widely discussed genre of visual narration as it poses the challenge of a reliable balance between history, myth and truth. Indian history and independence have been one of those themes that have been adapted into filmic narration, not only as a national oration, but from an international lens. Unlike any other historical moment, Indian Independence is the most celebrated and recurring themes of historical movies and still continuous to be a vibrant subject for Indian film makers. Dealing with the narration of a nation, often these films are looked at with a skeptical attitude, mostly because of its colonizer’s view of the colonized. This article addresses Bhabha’s (1994) interstitial perspective and mimicry of ambivalence positing that these films neither dominate nor propagate certain colonial ideologies, nor does it make the colonizer as a virtuous subject, but rather create an ambivalent identity, which is neither colonizer nor colonized, but a hybrid of it. Apart from some English productions on Indian colonial rule and independence, some Indian films are also taken as a case study to elucidate the concept of hybridity in cultural meaning. When the ‘object’ of history or the colonized reacts with their perception, it creates an ambivalence that is far different from the colonizer’s perception.

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