Textual odalisque: From Roxolana to Hürrem Sultan

dc.contributor.advisorKrys, Svitlana
dc.contributor.authorA., Y.
dc.date.accessioned2022-05-03
dc.date.accessioned2022-05-31T01:50:53Z
dc.date.available2022-05-31T01:50:53Z
dc.date.issued2022
dc.descriptionPresented on April 21, 2022 at Student Research Day at MacEwan University in Edmonton, Alberta.
dc.description.abstractMy thesis examines the trajectory of literary depictions of the enigmatic figure of Hürrem Sultan (otherwise known as Roxolana, circa. 1502-1558), the legal wife of Sultan Suleiman the Magnificent and the first Haseki Sultan, or Imperial Consort, of the Ottoman Empire. It will first consider Hürrem’s emergence on the European stage as a product of Orientalist discourse, then focus in detail on her more recent Ukrainian and Turkish cultural depictions. To assist my analysis, I will employ the theory of re-Orientalism, which is defined by Lisa Lau as an approach that determines “how cultural producers with eastern affiliations come to terms with an orientalized East, whether by complying with perceived expectations of western readers, by playing with them or by discarding them altogether." I will examine the Ukrainian opera Roksoliana (by Denys Sichynsky, 1911) and two contemporary Turkish productions, the television show Muhteşem Yüzyıl (The Magnificent Century, 2011, Tims Productions) and the play Gayri Resmi Hurrem (Unofficial Roxelana, by Ozen Yula, 2003) to show how they question, critique, and dispel Orientalist tropes associated with Roxolana in the western European imagination.
dc.format.extent280.03KB
dc.format.mimetypePDF
dc.identifier.urihttps://hdl.handle.net/20.500.14078/2628
dc.languageEnglish
dc.language.isoen
dc.relation.urihttps://roam.macewan.ca/islandora/object/gm:3248
dc.rightsAll Rights Reserved
dc.subjectHürrem Sultan
dc.subjectliterary criticism
dc.titleTextual odalisque: From Roxolana to Hürrem Sultan
dc.typeUndergraduate Thesis
dspace.entity.type
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